Cocktail

Neither shaken nor stirred!

Pic source: Wikipedia

Beautiful people in high fashion labels, partying at the most happening places do not make a good film. Unfortunately, the makers of Cocktail think otherwise. The film is dull, boring and predictable; there is neither smart writing nor great performances to engage the audience. Director, Homi Adajania has failed to live up to the high expectations that were set with the slickly cut promos and the dazzling visuals. Unfortunately, the best parts of the film are there in the promos only and one keeps waiting for some more excitement in the film.

**Some spoilers ahead**

The film is written by Imtiaz Ali and Sajid Ali but there is nothing new in the story. Protagonists indulging in casual sex, drinking and partying hard may have been novel ideas for Indian cinema in the last decade but not in 2012. Even from the love triangle point of view, there is nothing new… there are no surprises on who gets the guy – the girl who wears short dresses and drinks or the girl who worships and puts a blanket on her friends when they sleep.  Your guess is as good as the makers’.

Cocktail is about three friends – Veronica (Deepika Padukone), a rich party girl with parent issues;Gautam (Saif Ali Khan), a Casanova from Delhi now in London; and Meera (Diana Penty), a newly-wed girl from India who comes to London to be with her husband (Randeep Hooda), who had only married her for dowry (though he gets her a resident permit in the UK, which she uses quite well!) The writers’ have shown the most amount of creativity in showing how these characters meet – but nothing really seems believable. Anyway, after two-three party sequences, one friendship song and a fancy weekend break in Cape Town (very efficient Visa service in the UK I must say for an impromptu holiday plan); the awesome threesome get in a love triangle (yawn!) From this point onwards you can actually predict the next scene; if you’re going in a group, it can also become a game.

One thing I quite liked about the film and also got a bit miffed with is the styling. Indian Vogue’s Fashion Director, Anaita Shroff Adajania has styled the film and the three lead characters do wear good clothes.Deepika is styled well throughout and carries the look of a London based fashionista quite well. Saif as usual is well turned out and you cannot miss the Burberry jackets and trench; he only needs a little more lip balm. Diana looks pretty and her styling follows her BTM (behenji-turned-mod) story. This is where I have a complaint with Anaita – when Meera lands in London, she has no sense of style and even lesser money; even after she finds a job as a graphic designer, I am assuming she doesn’t earn loads; but the stylist thinks it is ok for her to sport luxury labels – a Tod’s bag for instance.

In the acting department, I am quite impressed with Diana as she has delivered an above-average performance in her first film. I just wasn’t convinced with the way her character shaped up; we are supposed to like her and she is supposed to be the conscientious one but then she does betray her best friend (Tequila shots cannot be blamed for it Mr. Director). Deepika still needs diction lessons but she did go beyond her usual range. Regarding Saif, he was mostly irritating and I mainly blame the character; also he is no longer convincing as a 32-year old! My favourite was Dimple Kapadia as Gautam’s mother who essentially did what Kirron Kher usually does as an aggressive Punjabi lady. Boman Irani was good in his short role and Randeep Hooda was completely wasted.

The film’s music by Pritam is nice and adds a dash of fun (lyrics by Irshad Kamil). I enjoyed ‘Tumhi Ho Bandhu’ (vocals – Neeraj Shridhar & Kavita Seth) and ‘Daaru Desi’ (vocals – Benny Dayal & Shalmali Kholgade) tracks. But my favourite song in the film is not an original one but borrowed from another album; it is ‘Angreji Beat’, sung by Gippy Grewal and Yo Yo Honey Singh. I liked the way they introducedDeepika’s character with this fun song. Cinematography by Anil Mehta is brilliant (as expected); London looks even more inviting through his lens and Cape Town simply gorgeous. Editing by Sreekar Prasad is ho-hum; the film just goes on and on in the second half making you crave for a real cocktail!

Overall, the film leaves you cold and disappointed. This Cocktail is not mixed well; watch it if you don’t mind predictable but good looking stuff.

The Amazing Spiderman

New Spidey works…

Pic source: Wikipedia

The masked vigilante is back… with similar story elements and emotions that we have seen earlier. However, director Marc Webb’s reboot of the successful Spiderman franchise does not fail to impress. Written by James Vanderbilt, Alvin Sargent and Steve Kloves, The Amazing Spiderman re-tells the story of a teenager becoming a superhero in an engaging manner. Apart from the director, credit goes to the film’s lead actor, Andrew Garfield for making us forget the old Peter Parker (Tobey Maguire) and becoming a good Spidey. Garfield is extremely good with emotions (as we have seen in his earlier film,Never Let Me Go) and he makes it is easier for the audience to empathise with Peter Parker. Whether it is the nervousness in front of the girl he likes or the frustration related to his long-lost parents or the guilt related to a dear one’s death; the actor makes it all convincing. Looking at his earlier work, I was not sure if he’d be good with action but he does well; and the dash of humour is refreshing as he teases and plays with his enemies.

Along with the same basic story about Peter Parker’s journey from a reclusive student to a responsible hero; The Amazing Spiderman gets its villain also in the same fashion as earlier films. A science experiment to help humanity goes wrong and we get a new villain called The Lizard, played by Rhys Ifans. The Lizard does what the usual villains in Spidey films do but he is not that menacing as the Green Goblin was in the old Spiderman. The action sequences are also less in the film and you are left asking for more. Some of the sequences are very well shot and you are given Spidey’s perspective as he jumps from heights. While the film is shot in 3D, it doesn’t add to the film, apart from the scenes where depth is required, which are good.

Another big change in the film is Peter Parker’s love interest; instead of Mary Jane, we get to meet Gwen Stacy, played by Emma Stone. Like Garfied, Stone also does full justice to her role and makes you forgetKirsten Dunst who played Mary Jane in earlier films. Gwen is intelligent, strong headed and fearless; casting Stone was perhaps the best decision for the makers.

Indian actor, Irrfan Khan’s much talked about role in the film as Dr. Ratha is nothing more than a cameo. While Dr. Ratha’s character is important to the story, there is surprisingly less attention paid to him. One does not know what happens to him after a point in the film but I don’t think anyone cares except for the Indian audience.

Overall, The Amazing Spiderman is an enjoyable film but is surely not the best superhero film we have seen this summer. Definitely watch it for a good time at the movies, but do not expect a lot; I guess that is left to the sequel. In true Marvel style, a teaser to the next film is left in the middle of the end-credits; so do not leave the theatre immediately after the film ends.

Viewing recommendations:

Spidey fans in the UK can enjoy the film at Odeon which has more IMAX screens in the country than any other cinema chain. For more information on ticket and viewing options check the The Amazing Spiderman 3D at Odeon web page. In India, choose a good theatre for 3D; PVR in my experience is better and have got lighter 3D glasses and if you have an IMAX screen in your city, go for it.

BRAVE

Not the best from Pixar

Pic source: Wikipedia

Brave is the first fairy tale style film from Pixar and the first film from the animation studio to have a female lead character. The film’s trailers looked great and I was curious about the adventures of the red-haired Scottish princess. However, I left the theatre disappointed. Directed by Mark Andrews andBrenda Chapman, Brave is the weakest Pixar film I have seen (seen all except Cars & Cars 2); the animation is nice and there are great visuals, but the real problem with Brave is its weak script (screenplay: Mark Andrews, Steve Purcell, Brenda Chapman & Irene Mecchi). The story is new but does not seem fresh; it is predictable and does not pack a punch.

Set in a Scottish kingdom, Brave tells the story of Princess Merida (voice: Kelly Macdonald) who wants to be the mistress of her own fate. The headstrong princess is an accomplished archer and is a daddy’s girl (Billy Connolly as King Fergus); her mother, Queen Elinor’s (Emma Thompson) attempts to teach her the ways of the royalty amuse as well as irritate her. The mother-daughter relationship and Merida’sacts of defiance are the best part of the film; one can relate to her as she struggles to be understood by her parents. Merida is likeable but somehow there is not enough done to make the audience connect with her emotionally. The resolution to the big problem she faces seems rather simple and yes, there is the usual ‘moral of the story’ that makes the film a bit preachy in parts.

Coming to the animation, one cannot really question Pixar in this department. There are beautiful forest sequences and the aerial views are breathtaking; water is shown beautifully and appears real. However, the use of 3D does not add to the film’s rich visuals, the way it was done in Dreamworks’ Scottish inspired outing, How to Train Your Dragon. I wish Merida had more spunk like Princess Fiona (Shrek); there were more surprises in the story with a better climax; and more pop culture references (likeMadagascar 3) to keep the adults engaged.

It is summer time and Brave is a good option for kids but unlike other Pixar gems, this one does not really shine for adults.

Gangs of Wasseypur

Revenge is best served on coal…

Pic source: Wikipedia

After watching ‘Gangs of Wasseypur’ (GOW) yesterday, a friend tweeted, “go watch, if you have class enough to appreciate crass…” While I am not sure if I agree with her completely, it is certainly a film to watch. Director, Anurag Kashyap’s ambitious saga about coal mafia and revenge, set in Wasseypur / Dhanbad (now in Jharkhand; earlier in Bihar) packs in a lot of punch with its clever writing (Zeishan Quadri, Akhilesh, Sachin Ladia & Kashyap himself) and performances. Expansive in vision and scale, the GOW saga spans three generations and borrows heavily from real life incidents from pre-independence era to the modern times. (Minor spoilers ahead).

GOW is a story about men obsessed with power and revenge. Sardar Khan (Manoj Bajpayee) swears to avenge his father’s death by the hands of coal mine contractor turned politician, Ramadhir Singh(Tigmanshu Dhulia). He does not want to kill him but savour the revenge by bringing Singh’s empire to a downfall. On one hand, Khan has Singh to destroy in Dhanbad; he has the Qureshi clan in Wasseypur to fight with as well. Butchers by profession, the Qureshis were responsible for driving out the Pathans(Khans) from Wasseypur in 1941. Not that the Pathans were innocent; Sardar Khan’s father, Shahid Khan (Jaideep Ahlawat) used to loot the British trains by impersonating the legendary dacoit, Sultana Daku, a Qureshi. The film’s plot is complex and this is just the main premise; there are many characters that keep getting introduced throughout the film. However, the director manages keeps it all together and sustains the interest for about 160-minutes.

Kashyap effectively uses humour and music to keep the film entertaining and not only a blood-fest. The film has powerful dialogues that shock and amuse in equal parts. At one point, Sardar Khan’s wife tells him to eat properly so that he doesn’t embarrass himself by not being able to perform sexually at a brothel; she says something like, “Khana khao, takat aayega, bahar jaa ke be-izzati na karana”. Coming to the women in GOW; Richa Chaddha as Nagma, Khan’s fiery wife steals the thunder fromBajpayee whenever she appears on screen. She loves and hates her man in equal parts but stands by him in all adverse situations. Then there is the other ‘womaniya’, Durga (Reemma Sen); like the men inWasseypur, she does not have any qualms in claiming what is not rightfully hers. Both actresses deliver impressive performances but Richa’s character draws more empathy. In GOW, Bajpayee gets his career’s best role and he shines; the character he plays is not really positive but the flaws make him more real – someone you support at times and hate at others. Tigmanshu Dhulia makes a powerful debut and has a career in acting apart from filmmaking. The next generation of gangsters is also introduced in the film but most of the action is reserved for them in the second part of the film that is expected to release soon. The person to watch there is Nawazuddin Siddiqui whose character, Faizalseems to have been modeled on Amitabh Bachchan’s angry young man on-screen persona in the seventies.

Music (Sneha Khanwalkar; lyrics: Varun Grover, Piyush Misra) is one of the best parts of the film and you often hear unexpected tracks playing in the background (background score: G V Prakash Kumar). The song, ‘Teri keh ke loonga…’ defines the film and its attitude; ‘Womaniya’ and ‘I am a hunter’ are both enjoyable and thankfully none of them disturb the film’s narrative. The only real flaw I could find with the film is its length; however, that can be forgiven if the film is good overall.

I strongly recommend watching Gangs of Wasseypur but those who are averse to violence and blood on screen, may avoid.